MakeItGood x FatKidOnFire #133 - MAKZ

Today’s MIG x FKOF feature sees us sit down with M.A.K.Z., a DJ/ producer/ blogger/ SoundCloud group administrator and all round badman. Oh, and he’s given us a FKOF free download as well…

Who is M.A.K.Z.?

M.A.K.Z. is a producer/DJ that uses influences from all over to create the most natural, organic sounding tracks and mixes.

What got you into mixing and producing dubstep? How would you describe your production style?

I first got into producing when I started my music technology course at college (which was 2 years ago now). Before then, I played the drums and have done for almost 8 years – I had been playing with a few bands and had done quite a few gigs around the local area since I was about 14. I think the first time I ever heard real dubstep was in one of Beezy’s old GetDarker mixes that I downloaded because it looked interesting. It blew me away – I’d never heard music like that before and I just really loved the sound of it, after that I got into all the old school stuff – artists like Skream, D1, Mala etc. and it’s progressed from there really. The mixing just came about – I would say I’m more of a producer, but I like to have a mix from time to time. I would say my production style is a blend of deep subs, strange pads, weird eastern samples, varied percussion and natural sounding drums – I try not to go with the whole processed sound, I do like a natural feel to my productions.

How long have you been producing and DJing?

I’ve been producing for a couple of years now – when I first started I used to catch the bus home from school early pretty much every day just so I could work on new tracks haha! I just found it amazing how you could make music with only an idea in your head. I’ve not been DJing too long, I’d say about a year. I just listened to loads of radio shows and wanted to try my hand at it, I used to DJ with a friend of mine who would walk from his house to mine with a suitcase packed with his turntables and mixer and we would do this most days after work when we were both on together.

How do you go about building your tunes? Is there a process behind each one? What software do you use?

I usually start with the drums – I use a program outside of my DAW that has all my samples in (it sequences the beats as well after I programme them), so they’re all the same tempo and not just loose samples. I do tend to layer my drums loads – at the end of bouncing down all my drum tracks to put into my DAW I’ll usually end up with about 5 snares/claps, 3-4 kicks and a variety of different hats/shakers/percussion. Then I start with the main instruments – pads will come first, then the sub and then the other synths and finally I’ll pick and choose samples that I’ve never used before or might recycle old ones. The process behind my tunes is an idea – once I get an idea in my head and I think it’ll sound good I’ll start on the track. I use Cubase 5, I learned to produce using that so it’s familiar to me – if you sat me in front of a Mac running Logic I wouldn’t have a clue what to do! I’ve just started to really find my sound – a lot of my older productions were a jumble of different sounds, but I would say I’ve finally found my way.

You run a popular SoundCloud dubstep group and have your own dubstep blog – how’s that going? What inspired you to start them both?

Well I started the group one day (which was a while ago!), a lot of unknown producers were submitting tracks that I thought were amazing and produced to a high quality. That gave me the idea to set up the blog which would be a platform to get their music heard. Since then it’s got more popular, not as popular as some blogs, but enough so that people know about it and what it’s all about. I keep trying to come up with new ideas for the blog, which is how the exclusive downloads and the mix series came along – I’d hit up producers/DJs that submitted tracks to my group and they’d usually all be up for it – a lot of people will probably think I’m trying to copy other blogs with the same sort of theme (for example Trusik), but I mainly focus on the underground artists and producers that not everyone might have heard of before. I’ll also be starting a podcast sort of mix (‘DDDDcast’) that will be regular and will be mixed by me, also got quite a few big mixes in the pipeline for the series – that’s all I’m saying…!

Turntables or CDJs for when you play out?

I’ve honestly never played out before haha!! I’ve always mixed in my studio (aka bedroom), but have never had the opportunity to play out because I live in an area of the Midlands where people don’t seem to know the first thing about true dubstep and there’s not a lot of venues here either. But if I was to play out it would be CDJs seeing as though they’re easier for playing unreleased music on – I wouldn’t know where to start with the whole cutting dubplates business!

What’s been your best gig and if you could DJ alongside anyone, who would it be?

If I could DJ alongside anyone in the world, it would have to be Hatcha back in the days when dark garage was the rage and the clubs consisted of only big sound systems and decks.

Who are your top 5 dubstep producers at the moment; and why? Any labels you’re feeling?

• Camu – His beats are really flavoursome – every production is genius
• Be-1ne – I’ve always been a fan of his, his perspective on dubstep is one I share and his tunes are always really soulful. His label ‘Area Recordings’ is also one of my favourites, he always seems to put out some deep music. And he’s from the Midlands!
• Gantz – His music is very creative and I love his polished production style
• Perverse – They’ve always been favourites of mine since the day they were relatively unknown and were submitting their amazing productions to my SoundCloud group (haha)!
• Vaun – All of his productions are unbelievably smooth and crisp.

I’m really feeling the music coming out on Tribe12 at the moment. Deep Medi and Tempa are also doing big things as always and of course Osiris. I’ve been hearing some good things on Redshift One too.

What’s the future of dubstep - where do you see the genre going? Do you think the ‘deep and dark’ side of things has been overdone yet? If so, what’s next?

Personally I don’t think it’s been overdone yet – there’s still a load of producers bringing different styles to the table and making the music more interesting, it’s a controversial topic to be fair – everyone has their own opinion. It’s the same thing with my blog – ‘Deep, Dark, Dungeon Dubstep’ paints the wrong picture really – it’s a music blog that covers all areas of bass music, not just the typical dark, minimal sound. I think techno will be the next big craze – I like it in little chunks, but I don’t think you’ll ever see me produce a techno beat! I’d love to see 140 jungle come about more – I’ve got respect for that sub-genre.

Any forthcoming releases we can look forward to?

I’ve got a 4-track grime EP that I will be doing the pre-masters for soon and sending those out – if the labels don’t want it then it’ll probably be a self-release thing on bandcamp, I’ve put a lot of time into it and the concept behind it so would be nice to have a label to support it – dropped a couple of the tracks from it in my mix too.

Tell us about your MIG x FKOF mix…

I had a lot of dubs as it was and was still getting more from producers – I tried to include as much new music as I could, also played a classic from Cyrus, one of my most favourite dubstep/grime crossover tunes and that beautiful production from Vaun.

Have you got any advice to upcoming DJs/producers looking to get their music heard or signed?

I think I’m the one who needs advice about getting signed! But for getting heard, you just need to know the right people and send your music out to DJs that will appreciate it.

Any shoutouts?

I just want to say a big thank you and respect out to all the producers/DJs contributing to my blog with downloads and the mixes and to all the supporters so far, also out to all the DJs who play my music – cheers and of course Wil for putting up the best mixes/free downloads around and for letting me contribute to that!

3 people (dead or alive) you’d go for a beer with (and why)?

• The Notorious B.I.G – a very inspirational figure and an amazing rapper
• Camu – so I could ask him how he get’s his percussion so tight
• Wayfarer – so I could ask him how he produced ‘Fall Of The Zulu’ – always been on my mind where he got those samples from.

Best dubstep track ever produced?

It’s got to be be ‘Midnight Request Line’ by Skream – an old school classic and it was one of the first real dubstep tracks I ever heard.

Best dubstep producer out there?

That’s a tough one, but I’m gonna have to say Icicle – all of his music is flawless and his productions are outstanding, no matter what genre.

17/20 dubs in his mix for MIG x FKOF and a truly weighty little FKOF free download. M.A.K.Z. is definitely a DJ and producer to look out for in the future! Keep eyes on the SoundCloud group (I’ve found a good few gems in there) and the DDDD Tumblr and Facebook page - and keep tabs on M.A.K.Z. on SoundCloud and Mixcloud…

Click to DOWNLOAD

Track list:

1. Camu - Bloodwood [dub] 
2. Boofy - Subculture [dub] 
3. Aiko - Mystic [dub] 
4. Biak - 045 [dub] 
5. M.A.K.Z. - Headhunter [dub] 
6. Cyntel - Trolls [dub] 
7. Baku - Deep Breaths [dub] 
8. Gatekeeper ft. Grilza - Truth In The Booth [Nu Labels] 
9. Deafblind & Format - My Fate [dub] 
10. Geode - Aliased Fever [dub] 
11. Kong - Enemies [dub] 
12. Cyrus - Paradise Dub [Tectonic] 
13. Camu - Kikuyu [dub] 
14. Pressa - Solar Flare [dub] 
15. M.A.K.Z. - The Sleeperhold [dub] 
16. Alias. ft. Lowdose - Bristol 2 Tha Bay (Cyntel’s Grime VIP) [dub] 
17. M.A.K.Z. - K.O. [dub] 
18. Boofy - Since When [dub] 
19. M.A.K.Z. - Straight Roller [dub] 
20. Vaun - Colourful [Redshift One]

Let us know what you think of MAKZ interview and mix via Twitter or Facebook.

Lara

MakeItGood x FatKidOnFire #132 - Gamma

Today see’s the latest MakeItGood x FatKidOnFire feature with Bristol’s Gamma…

Who is Gamma?

Gamma is Nathan Gamlin, a 23-year-old producer and DJ from Bristol.

What got you into mixing and producing dubstep? How would you describe your production style?

Well I was into band-oriented music when I was young (ranging from metal, indie and rock) but I got into some drum and bass after going to a youth club that Roni Size was involved with. Just before uni, I was getting more and more into DnB and deeper into the jump up side of things – stuff like Hazard, Generation Dub and DJ Pleasure. A friend showed me some Caspa and Rusko tunes and then I got pulled into dubstep pretty quickly; finding the deeper sound about 3 years ago. I don’t know how to explain my sound really. Deep and dark I guess, I would like to think I have some kind of cinematic kind of sound too. Still evolving I guess though!

How long have you both been producing and DJing?

I got my decks about 4 years ago and started producing 2 years after that. DJing has taken the back seat after I moved back home from uni and I now focus much more on producing.

How do you go about building your tunes? Is there a process behind each one? What software do you use?

I’ve always used Reason (until about 2 months ago anyway) when I started rewiring into Logic… I’ve definitely seen the light now! I generally go beat first, probably due to playing drums through my teenage years… Then pads and intro and by then I have a pretty good idea what I want the tune to sound like.

Turntables or CDJs for when you play out?

I would always say turntables just for the feel of vinyl but for ease and saving money I would go CDJs.

What’s been your best gig and if you could DJ alongside anyone, who would it be?

Probably any of the early RUN nights at Native. So much fun and a sick line up every Tuesday with residents like Dminds, Clipz and TC! I can still remember when TC first dropped the Caspa remix of ‘Where’s My Money’… At that point I think everyone was pretty speechless! Probably choose someone like DJ Shadow or someone… Someone who does something different!

Who are your top 5 dubstep producers at the moment; and why? Any labels you’re feeling?

In no particular order…

• Kryptic Minds – Just amazing!
• Icicle – Sick tunes, dark but still have amazing hooks!
• Dj Madd – every release is stunning!
• Soap Dodgers – intense synths!
• Distance – Don’t need to explain!

What’s the future of dubstep - where do you see the genre going? Do you think the ‘deep and dark’ side of things has been overdone yet? If so, what’s next?

Not sure where it’s going to be honest… I think there will always be a core group in all areas whether it’s tear out, deep stuff or that future dubstep stuff… It definitely has longevity and I don’t think it’s overdone. It will just evolve and change, people just need to remember to do their own thing as much as they can!

Any forthcoming releases we can look forward to?

No releases… Yet!

Tell us about your MIG x FKOF mix…

Well initially, I wanted to get some drum and bass in there but then decided that I would just do a mix of the sound that I think I kind of fit into and also get a few of my friends in it too! I just grabbed tunes I liked at that point and mixed it - most of the selection are in my top tunes of this year!

Have you got any advice to upcoming DJs/ producers looking to get their music heard or signed?

Well, seeing as that is what I need to focus on I’m not too sure… Be confident in what you do I guess. And people will notice!

Any shoutouts?

Shoutouts to Fortitude, Dyssomnia, Konvex, Clare (for putting up with me sitting at my Mac for so long!) Snyde, Deafblind, Shiba and all my nearest and dearest.

3 people (dead or alive) you’d go for a beer with (and why)?

This one took a while…

• Anyone from the Aeroplane films
• Dj Die. and this is hard…
• Run DMC. I bet they knew how to party!

Best venue/ club night in Bristol for dubstep/ bass music?

Motion just because the huge nights and massive line ups they have. Check out the in:motion series, big nights every Friday and Saturday from October until New Year!

Best dubstep track ever produced?

Hard one…. D1’s ‘Dubstep Warz’ just because it got me into the darker stuff.

Gamma’s MIG x FKOF mix is a pretty awesome selection of dubs and releases. 23 tracks from a serious selection of established and upcoming producers - you can’t really go wrong with that! Free download as always, so stream or grab. It’s definitely a keeper!

Click to DOWNLOAD

Track list:

1. Anex - Delusions (Demon Remix) - [ICU Audio] 
2. Gamma- Defiance [dub] 
3. Soap Dodgers - Unleashed [Wheel & Deal] 
4. J:Kenzo - Invaderz [Tempa] 
5. Catacombs & Knowledge -Tactics [Free] 
6. Gantz & Collision - Chant [Tribe 12] 
7. Kryptic Minds - Idiom [Osiris Music] 
8. Enigma Dubz - Stagnant [Enigma Dubz] 
9. Truth - Dreams [Tempa] 
10. Gamma - Spies [dub] 
11. Dioxin One - Nobody Get Hot [Free] 
12. Zoobi - Dont Trust Anyone [Soulstep] 
13. Freeze & LX One - Forseen [Osiris Music] 
14. Biome - Persepolis [Macabre Unit Digital] 
15. Vicious Circle - Not Afraid [Crunch Recordings] 
16. Icicle - Together in Dust [Shogun] 
17. Catacombs & Knowledge - Out Of Focus [Macabre Unit Digital] 
18. Dcult - Inner Peace [Macabre Unit Digital] 
19. Dyssomnia & Skeptix - Empire [dub] 
20. Icicle - Need a Job [Shogun] 
21. Congi & Gantz - Warrior [Innamind Recordings] 
22. Goth-Trad - Seeker [Deep Medi Musik] 
23. Reamz - Born Of A Sin [dub]

Let us know what you think of Gamma’s interview and mix via Twitter or Facebook.

Lara

MakeItGood x FatKidOnFire #130 - J.Robinson

I’ve had my eyes and ears on Tribe12 for quite a while now, so when I got talking to label boss J.Robinson about possibly doing a MakeItGood x FatKidonFire feature and he said he was interested I was pretty damn stoked. Tribe12 have been releasing some fairly hefty tribal bangers for a while now (T12EP003 being a personal favourite of mine) – and J.Robinson’s mixed together a selection of label dubs, personal dubs and a whole host of other beauties. He’s even gone as far as giving one of his dubs away at the end of the feature as well…

Who is J.Robinson and what is Tribe12?

I am a 21 Year old Experimental producer from Just north of London and Tribe12 is my Record Label.

What got you into mixing and producing music? How would you describe your production style?

Well it all started when I was coming to the end of secondary school when i met my good friend Adam (Shima). We both shared the same interests in music at the time which was hip-hop and UK garage. When visiting Adam’s house he would play his brothers old jungle and DnB records which sparked my love for it. I was intrigued the first time I saw scratching over jungle and the way that the samples would be chopped in between bars in such a complex way and at some times a half time speed. It inspired me that maybe I could use my influences from reggae, hip-hop and grime to create something at the same tempo. I discovered Fruity Loops 6 through my cousin, who was making grime instrumentals at the time, and decided to get a copy for myself and try it out. After a short while, in around 2008, I discovered dubstep and really took a liking to it, to me it was the grime I always loved but without the vocals and more care taken on the beats and rhythms. I would say my production style has evolved to a better quality than then but hasn’t really changed. I have always tried to create something that sounds like you are in the room with the music – I think giving a track a live feel is very important and the simplicity for me is much more interesting than a complex electronic composition (that sounds like robots going crazy).

How long have you both been producing and DJing?

I have been DJing since 2007 and producing since 2008.

How do you go about building your tunes – is there a process behind each one? What software do you use? If you could collab with anyone, who would it be?

When I’m building my tracks, I usually start by creating a kick and bass that fits and then move onto the hat & shaker grooves. After this comes the percussion. I am usually very fussy when it comes to these sounds and spend a long time changing my mind and going through a lot of samples. I have used a lot of software in the past (like Fruity Loops, Reason and Cubase) but I currently use Logic 9 Pro – as it, for me, is the best DAW out there. It’s quite hard to say who I would like to collab with, I think it would be either Rhythm & Sound or Lee Scratch Perry; just to experience the atmosphere in the studio because in their productions, it always seems so relaxed and has such a live feel & analogue feel!

Turntables or CDJs for when you play out? What’s been your best gig?

I do have a vinyl collection of dubstep & DnB releases, and I have definitely done my part of carrying a record box a mile on foot to pirate radio every Saturday morning. Once other aspiring artists started sending me their music to support, I had no choice to use CDs to play the unreleased music. My best gig so would have to of been the recent Cylon night in Belgium, hosted by my good friends Mental Forces at their night Mentality. The vibe and crowd was just right and the bass was so loud it shook the foundations!

Who are your top 5 dubstep producers at the moment; and why? Any labels you’re feeling?

At the moment, I would have to say my favourite producers are people like

• V.I.V.E.K.,
• Wayfarer,
• Biome,
• Commodo &
• Icicle…

But there are to many mention who I’m feeling!

What’s the future of dubstep - where do you see the genre going? Can you explain the ‘tribal’ sound?

I think the scene will evolve and it will become more and more experimental. But I think the initial dub influences to the underground dubstep will be the reason it will never really change as such. I hope the deeper stuff does start to get the representation that it deserves, as I thin, at the moment, too many people are watching the charts for dubstep – and as my label (along with others) – are trying to release music closer to the roots of it all, it would be cool if people could discover it.

Any forthcoming releases we can look forward to? Who can we expect to see release on Tribe12 in the future? Any plans to expand genres the label supports?

Well the next release on Tribe12 will be Quantum Soul’s ‘The Self Knowledge EP’. Guy (QS) and I planned this EP as a way for him to express his love for dub music and create a package to deliver to his listeners. We also have many more exciting plans and releases from artists including myself, Gantz, Darj, Konvex, Hugo & Vaun, Concealed Identity – and many more. Later in the year, Wayfarer’s 4 track EP will drop along side a 12” of ‘Shaman’ backed with another track. There’s also a very special artist LP in the works at the moment with plans of a release the start of 2013.

Have you got any advice to upcoming DJs/ producers looking to get their music heard or signed?

I think the only real advice I can give is just not to give up and believe it is hard. Nowadays, with so many other people being able to create music at home at not a very high cost, I would say just try to be original and do your own thing. This, for me personally, is what makes me want to sign a track so I’m guessing other labels will be the same.
Any shoutouts?

Shouts to all the artists on Tribe12 Music and every supporter/ DJ supporting the label.

Can you tell us how to build the best dubstep tune possible in three steps?

1. Be original and always try to think out of the box
2. Spend a lot of time on the drums and think about velocities (to achieve a more live feel)
3. Keep things simple, try to capture the creative moment you have in your mind. Don’t wind yourself up if it’s not working. Take a break and come back to it!

Following on from the above question, in your opinion, what’s the best dubstep track ever produced?

Mark Prichard’s ‘Elephant Dub’.

J.Robinson was kind enough to sort us both a MakeItGood x FKOF mix and a FKOF free download to accompany this feature – you lot are seriously spoilt with the following audio brilliance…

Click to DOWNLOAD

Track list:
1. Pheral ft. Beezy - Paradox [dub]
2. ???? - ???? [Tribe12 dub]
3.???? - ???? [dub]
4. Perverse - Somber [dub]
5. Shreddex - Transporta [dub]
6. Konvex - Pangea [Tribe12 dub]
7. Catacombs & Knowledge - Exodus [dub]
8. Pier - Informer [Bad Mood Recordings]
9. TSMV ft. Beezy - Crashing [dub]
10. Truth - Babylon London [Artikal Music]
11. Quantum Soul - Hark Back [Tribe12 dub]
12. J:Kenzo - Invaderz [Tempa]
13. V.I.V.E.K - Kismet [Deep Medi Musik]
14. Congi - Cult (Gantz remix) [Tribe12 dub]
15. J.Robinson & Gantz - Misread [Tribe12 dub]
16. Occult - Assasins [Innamind dub]
17. J.Robinson - The Maasai [dub]
18. ????? - ?????? [Tribe12 dub]
19. ???? - ???? [Tribe12 dub]
20. Commit & Histibe - 23:59 [dub]

Click to DOWNLOAD

On a short side note, Tribe12 offer mastering services – email Jack@tribe12.co.uk for more information. If you wanted to support the label (along with buying the releases), drop sales@tribe12.co.uk for more info about the T12 t-shirts and hoodies!

Let us know what you think of J.Robinson’s interview and mix via Twitter or Facebook.

MakeItGood x FatKidOnFire #129 - Kinzy

The following feature in the MakeItGood x FatKidOnFire has been due for a month – but we’ve finally got around to the post being ready to publish. Sorry for everyone waiting to read the words to go with the awesome mix that went up a few weeks back! Kinzy first hit me up back in April with the news he recently had an EP signed to Wheel and Deal. We got chatting and he sent a few links over. A few weeks later, he sent me a mix (which ended up being the one you can download below) and we sorted the following discussion…

Who is Kinzy?

Well, that would be me! I’m a 19 year old music producer & DJ. I’ve been making music for a good 5-6 years now, and I’ve had releases on some real big labels such as Fatboy Slim’s ‘Skint Records’ and Sony Music Australia.

What got you into mixing and producing dubstep? How would you describe your production style?

Originally, before producing, I was just DJing. Pretty much the same story as everybody else; listening to my dad’s jungle & garage records and learning to mix really! Producing my own music just followed from there, I wanted to make my own music instead of playing other peoples’. I was doing some real bad bootlegs haha! The whole dubstep thing came along about six months after I started producing, I heard Digital Mystikz’ ‘Haunted’ and was instantly hooked on the sound. It took me ages to actually find the name of the genre so I could listen to some more, I had never heard it before and didn’t have a clue what it was, especially coming from Wales, it didn’t exist there really! As for my production style, I would say it is simple but effective. I don’t making a huge wall of sound. I like space between sounds, I like hearing some distance in the sounds too, instead of everything being straight up in your face. I love every style of the genre though, I always have. I’ll even spend days on end in the studio making some ‘tearout’ stuff, but I always try making it still sound like a Kinzy track, if you know what I mean. I wouldn’t say I have a certain sound, I try make a bit of everything. For example, I just put out a free give away which was on a 90bpm tip, I suppose this shows how diverse my sound can be.

How long have you producing and DJing?

I’ve been DJing longer, but producing about 5-6 years. I’m getting old now – the big 20 this year haha!

How do you go about building your tunes? is there a process behind each one? What software do you use?

I literally just sit in the studio and get stuff down, it’s all about how I feel at the time and which direction I want to take the track once I’ve got something down. The only time I really think about a track before I start it is when I do remixes, I usually get a few ideas in my head and just pick the best. I use Reason 5 personally, but I know Logic really well to.

Turntables or CDJs for when you play out?

I used to use something similar to Serato, but I just hated taking the risk of taking my laptop to a club, especially because I make all my music on it too. I didn’t want any drinks or anything getting all over it! I use CDJs now, and I haven’t looked back, they’re amazing! I love them, people go on about vinyl vs. CDs – but at the end of the day it’s all about the music – not how it’s played. You go out for the music. Just enjoy it is what I say!

What’s been your best gig and if you could DJ alongside anyone, who would it be?

Do you know what, my best gig I would have to say was ‘Jungle Code’ in my home city! It’s really weird because nights don’t usually go down well here for that kind of thing, but that night smashed it. It was rammed and it was just pure good vibes, nothing bad about it. Hopefully I get to play again soon! Hmm… That’s a tough one! David Rodigan for the simple fact he enjoys it so much! You see so many DJs who just look like they don’t want to be there or there just there because they have to be because it’s the next booking on their list. I love it when you see a DJ is actually enjoying what he’s doing, really getting into the music.

Who are your top 5 dubstep producers at the moment; and why? Any labels you’re feeling?

My top favorite without a doubt is Skream, because I respect everything that man has done, and everything he producers is top notch, no matter what style it is. It’s just good music. Second would have to be Om Unit, because his production skills are crazy and it’s so different. Each track he produces is different from one another, the quality of it is amazing too. Third would have to be Funtcase/Haze, because he’s leading the scene he’s part of and his sound is so diverse. I’m stuck at three here, I really can’t think of anyone specific, there are so many good artists and tracks out there it’s hard to pick from these days. But of the three I have picked each track they’ve made is quality! With labels, I’d have to say Wheel & Deal, Sin City & Hench. These 3 labels here are putting out so many different sounds, you never know what to expect next from them. It’s great! Rather than a label pushing one specific sound.

What’s the future of dubstep – where do you see the genre going? Where do you see it fitting in within the ‘bass music’ spectrum?

Well at the moment it’s that 4x4 140bpm thing that’s going on, personally I can see that dying out soon. I can see the real nasty dark stuff coming back stronger than ever, I mean, it’s already happening, but I think it’s going to blow up. Which I hope it does, because I think people need to know about every corner to the sound, people who have only heard of Skrillex and that kind of thing probably don’t know about the other side of it all.

Any forthcoming releases we can look forward to?

I have my EP coming out on N-Type’s Wheel & Deal soon which will be a huge look so keep an ear out for that! I really can’t mention the other things going on at the moment as I don’t have permission to actually mention them, top secret 007 kind of thing! Big things to come though!

Have you got any advice to upcoming DJs/ Producers looking to get their music heard or signed?

I think because there’s so much music being made now, the best thing to do is just do what I’ve done, forget your social life, get in the studio 24/7 and just make music. Develop your skills as a producer, and push all your music out there. Remix comps etc are also a great thing to do, it gets you heard by labels and if they like your style they will keep you in mind even if you don’t win. I literally live my life in the studio and with my Mrs. There’s no time for anything else, just smash out that music!

Tell us about your mix for MakeItGood x FKOF...

I did this mix completely randomly, I didn’t plan any of it. It’s a good representation of the music I’m playing out at the moment. There’s a bit of everything in this mix so everybody should enjoy it I hope! There’s plenty of fresh dubs in there too!

Any shoutouts?

Big ups to MakeItGood and FKOF for giving me this opportunity to do this interview and guest mix! I really appreciate it!

3 people (dead or alive) you’d have round for dinner (and why)?

Billy Connolly would be one of them, just to hear his stories! That guy’s to funny! Ok, you really put me on the spot with this one, I have no idea now, my minds gone blank! One of the would be Micky Flanagan and also David Attenborough!

Favourite dubstep MC/ vocalist?

Easy question! Beezy! He’s a genius, enough said! Watch out for our collaboration too, featuring a talented female singer called Georgina Upton. I don’t want to give too much away as i’ts pretty different from my usual stuff, but it’s large.

Kinzy’s mix for MakeItGood x FKOF is a pretty seamless blend of dubs, forthcoming releases and tracks you definitely should have in your collection. A slightly more ‘tearout’ mix than the usual we peddle here on FKOF but a brilliant addition to the series – hit play or grab the download to see if you agree!

Click to DOWNLOAD

Track list:
1. Lost - Iron Hide VIP [Hench]
2. Dismantle - Destroy [Wheel & Deal]
3. Kromestar & Curzed - Signs [dub]
4. Kinzy - Satan’s Snare VIP [dub]
5. Kinzy - Hum! [dub]
6. Demon ft. Beezy - Dementia [dub]
7. Kinzy - Ripple Effect [dub]
8. Kinzy - Visualization VIP [dub]
9. Lost - Metal Foot [Hench]
10. Subzee D - Snakes & Ladders [dub]
11. Minus ft. Beezy - Untitled [dub]
12. Requake - Razzia [dub]
13. Farkas - Iron Man 2 [dub]
14. Lifecycle - Zero X (Requake remix) [dub]
15. Kinzy - Dirty Ladies [dub]
16. Kinzy - Pyramids [dub]
17. Kinzy & Haze - Goin’ Back [True Tiger]

Let us know what you think of Kinzy’s interview and mix via Twitter or Facebook.

MakeItGood x FatKidOnFire #128 - Skeptix

We’ve been waiting a while to upload the next MakeItGood x FatKidOnFire feature – on the one hand to give the mixes and uploads on the FKOF SoundCloud time to breathe and on the other because the past few weeks have been manic. But it’s time. Time to talk to the Skeptix duo and hear what they’ve done in their stupidly good mix for MIG x FKOF…

Who is and what is Skeptix?

Tazz: We’re a “Bass” music duo from the UK.

What got you into mixing and producing dubstep? How would you describe your production style?

Tazz: I got into mixing purely just because i loved the idea of blending tracks I really liked together to create somthing new. I was automatically drawn to dubstep because of the depth and space with 140bpm music. I got into producing because I wanted my own work to be part of the mixes but it’s taken me a long time to get to mixing my own music haha!

Liam: I think what got me into mixing was a lot of the early DnB I was into. Going to a lot of smaller setup raves when I was younger after hearing that – and seeing people go mad for it – sort of made me want to do it. At the current point in time, I’m not really producing as I’m still learning as I go along but I’ve been helping with ideas etc since we started.

How long have you both been producing and DJing?

Tazz: I’ve been DJing for about five or so years and producing for around four I guess. Liam: I think I’ve been DJing for about 3 years now.

How do you go about building your tunes? Is there a process behind each one? What software do you use?

Tazz: I usually start with the drums really, that’s the basis and the most important part of a track for me. Either that or a loop or something I’ve chopped up for a while and feel would fit in a tune. I use Reason 6.5 and Logic 9 (but mainly just Reason); I use logic for post production mostly – I don’t rewire or anything.

Turntables or CDJs for when you play out?

Tazz: I use CDs for cost and practicality, much prefer vinyl though! Liam: if I had the choice it would be turntables – but for practicality it has to be CDJs.

What’s been your best gig and if you could DJ alongside anyone, who would it be?

Tazz: I don’t know what the best gig has been really, supporting Benga was a lot of fun. If I could play alongside anyone it would have to be youngsta – I know everyone must say that but he’s such a legend!

Liam: I think the best gig I’ve played to date was supporting Benga in Plymouth earlier this year. Such a big crowd and good vibes all around, so yeah I would say that! If there was any artist(s) I could DJ alongside, I would probably have to say Biome or Kryptic Minds both would be a dream.

Who are your top 5 dubstep producers at the moment; and why? Any labels you’re feeling?

Tazz: I dunno about producer that’s a hard one… I’d have to say:

1. Konvex ‘cause he’s got that dark weighty sound
2. Wayfarer is just incredible. Mixing asian vibes with techy rythyms works so well!
3. Reamz has got some bangers
4. Taiko is to techy and precise. I love it!
5. Anex just because his tunes just hit the spot

I’m really feeling everything on Bokane at the moment – they’re going to explode real soon! I haven’t really been following releases recently I’ve been getting a lot of dubs and discovering a lot of unknown but definitely huge producers.

Liam: So many good producers out at the moment but if I had to pick it would be:

1. Congi because they are literally storming through the scene at the moment everything they bring out seems to be better and better
2. Perverse because they’re making big moves in the scene and their tunes are just next level. Definitely ones to look out for if you haven’t checked them already [If you haven’t already; where have you been?]
3. Widowmaker
4. Duskdown
5. Wayfarer is still a relatively unknown artist from what I know, but I’m loving the tribal vibes coming from him. And his production is tight!

Labels that are cutting for me at the moment are definitely M.U.D and Dubstep for Deepheads; they both seem to know the score.

What’s the future of dubstep - where do you see the genre going? Any future plans to produce any other genres?

Tazz: well I don’t know about the future of dubstep, I like this tribal direction people are taking. But a lot of dubstep these days isn’t strictly dubstep – it’s hard to label a genre these days. But then why try I guess?! I haven’t really made any plans to try and make moves in other genres, I produce a lot of things in my spare time but purely just for me, I’d never send those tunes out.

Liam: that’s a hard one. The dubstep scene is going in so many different directions at the moment (with the mainstream to the dark deep stuff). I think I can see the whole genre just expanding more and opening to so many different types of people but there are also a lot of close-minded people in the world that haven’t really given dubstep a chance, going on what they’ve solely heard on the radio. But, like I said, I can definitely see the genre getting bigger and bigger.

Any forthcoming releases we can look forward to?

Tazz: Oh yeah a 12” forthcoming on Bokane records, look out for that and some free thing on Dubsektor, just a compilatian I think. There maybe some other things but I can’t really mention them yet as nothing’s set in stone!

Have you got any advice to upcoming DJs/ producers looking to get their music heard or signed?

Tazz: just be yourself, believe in your music and make sure you send to the right people. Just don’t try and copy styles. Just be yourself and things will line up!

Liam: just keep and on and on making the music you like, keep on trying ti make your tunes sound the best they possibly can. Don’t put anything out until you’re 100% happy with it Keep promoting your sound and share with as many people as you can and don’t lose faith.

Any shoutouts?

Tazz: Duskdown every time for putting so much time into Bokane records! And every producer that sent dubs for the mix or that I’ve worked with recently!

Liam: shouts to D Lux (Plymouth Unleashed resident). Shouts to all the supporters!

3 people (dead or alive) you’d go for a beer with (and why)?

Tazz:

1. Jimi Hendrix, because he was just a god
2. Biome, because I could talk production with him all day long
3. And I don’t know about the third haha. Um, Jim Jeffries – he’s too funny!

Liam:

1. Arnie, purely for the fact that it’s him
2. Bear Grylls
3. Liam Neeson.

MakeItGood x FatKidOnFire #119 - Facta

Today sees us release our latest MakeItGood x FKOF feature with London/Bristol boy FACTA. We caught up with him to chat about DJing, releases and everything in between. Make sure you follow Oscar on Facebook and Soundcloud. Peep the interview, and download his exclusive mix below. 

Who is Facta?

My name’s Oscar Henson, and I’m a nineteen year old producer and DJ from east London, currently studying in Bristol.

I started listening to a lot of electronic music through one of my close mate’s back when I was about 14 – not the sort of stuff I’d listen to now, but it started the natural progression towards slightly more experimental stuff. Getting properly into all the Tempa, DMZ, Hotflush and Hyperdub releases coming out around about 2008-9 is what got me set into the deeper dubstep sound, and I’ve been following it slightly obsessively since. 

I’ve been producing to some extent since I was about 15, when I started out on hacked versions of Fruity and Beatcraft, but I didn’t move onto Logic and start properly building tracks until I was 16 or 17. Again, I didn’t really start taking it seriously until about a year and a half ago, and it’s only been about a year since I made something I was at all happy with. That had a lot to do with getting into DJing – I’ve had decks for about a year and a half now, and learning to mix and subsequently paying more attention during the live sets I was seeing out at nights really helped me develop the way I build my tracks.

Logic Pro 9, sometimes with Albino – I don’t use a lot of plug-ins really as I prefer to dig around for samples. 

Turntables or CDJs?

Turntables of course, but there’s a reason even Youngsta doesn’t DJ with vinyl anymore – club turntables are often pretty unreliable, so I’ve had to move onto using CDJs with Serato when playing out.

I recently played in the upstairs room at Thekla in Bristol – it was the Night Slugs birthday night and I played before the first room opened, which meant the place was pack out. I like to switch it up a bit towards the end of my sets, so I started dropping bare old garage and hip-hop and it just went off – big up anybody who was there, such good vibes. And in terms of playing alongside any DJ, it could be anybody out of the standards – Mala, Youngsta, Kode9, Oneman…

In no order, and not including all the obvious standards:

K-Lone – he’s my boy and an absolutely nuts producer, plus he’s been to more nights with me than probably anybody.

Commodo – at a time when I feel a lot of producers are starting to sound a little samey, Commodo always comes with the freshest and most unique sound. Rude sampling, nutty basslines, and fucking sick on the decks too.

Kowton – not strictly dubstep, but part of the continuum – a Bristol head making some amazing blend of techno, dubstep and grime – ‘She Don’t Jack’ is a ridiculous tune. Plus Idle Hands is an absolute institution.

TMSV – just listen to his new bit ‘Lost’. 

Versa – just makes consistently emotional beats.

If you just take dubstep to mean the worldwide community of producers making interesting, bass-driven music around 140 bpm, and ignore all the dull stuff, then it’s plainly obvious that it’s just going up and up.

In discussions over a couple of bits – watch this space.

Well obviously I’m as ‘upcoming’ as the rest of them, but from what I’ve experienced so far there’s a lot to be said for just putting yourself out there – this scene thrives because it’s made up of people who mutually support each other (this blog is a prime example) - if you feel your tracks, there’s a good chance other people will too, so just ask producers to play your tracks – ask promoters to book you – ask labels to sign you. Any success I’ve had so far has just come as a result of the fact that everybody is helping everybody in this scene.

Any shoutouts?

Anybody listening to my tracks and mixes, booking me, or coming to see me play out. Special mention goes out to Liam and Yanis at Piff Bristol – it’s big to be part of such a sick team of people.

Twitter or Facebook?

The only thing Twitter is good for is finding out set times.

David Attenborough plus any two of my mates so we could just jam with him.

FACTA went in with his mix for MIG x FKOF… and filled it with plenty of dubs, just how we like it! 

Track list:

1. Pinch - Get Up [Tectonic] 
2. Facta - Sundown [dub] 
3. K-Lone - Shatter [dub] 
4. Headhunter - Descent [Tempa] 
5. Facta - Surface Tension [dub] 
6. Pheral & Content - Catharsis [dub] 
7. Forensics - God’s Hands (Trashbat remix) [dub] 
8. Pheral - Untitled [dub] 
9. K-Lone - R.E.M [forthcoming] 
10. Gantz - No Love [Fent Plates] 
11. Facta - Blowdart [dub] 
12. K-Lone - Trapped [dub] 
13. Facta - Spheres [dub] 
14. Kryptic Minds - Chosen Few [Swamp81] 
15. Vaun - Comatose [dub] 
—Slum Village - Girl Shit (Climax) [GoodVibe Recs]

MakeItGood x FatKidOnFire #118 - Gantz

It’s time for the latest MakeItGood x FKOF feature with possibly one of the finest percussive dubstep producers around. It’s safe to say with a 55m mix and a FKOF free download, Gantz is definitely making his mark..

Who is Gantz?

Gantz is a 23 year old lifelong music student, who started his education at an early age playing the electric bass and who then gradually evolved into electronic music production.

What got you into mixing and producing dubstep? How would you describe your production style?

My friend Can brought me into the world of dubstep; he showed me everything and helped it grow on me in a healthy way. We basically were playing dubstep to non-interested audiences in local reggae clubs (but didn’t really care because that’s what we wanted to do). We then started producing music together (as we were both studying music production and music theory at the same university), but we seperated doing our own stuff eventually. I would describe my music as sub-oriented electronic non-dance music.

How do you go about building your tunes – do you have a process? What software do you use?

I usually create a mimic, beatwise or soundwise, and go along from there. It takes time for me to get to know the tune itself, recognise what it needs and help it find its way. I use Logic Pro 9, a couple of monitors and coffee.

Turntables or CDJs for when you play out?

Both make sounds, I don’t really care that much. I mostly play vinyl but use CDs when I play my own tunes and dubs.

What’s been your best gig and if you could DJ alongside anyone, who would it be?

I played at a DMZ night, that was profound. I would really like to play with VIVEK!

You’re involved in A&R for Innamind; who are the top 5 dubstep producers we should know about; and why? What labels you’re feeling at the moment?

I am currently feeling Nanobyte, Kaiju, Ipman, Endian and El Mahdy Jr – these are guys that produce real music in my opinion. Label-wise, I am feeling Black Box, Deep Medi, Non Plus, Exit Records, Burial Mix to name a few.

What’s the future of dubstep - where do you see the genre going? Where do you see it fitting in within the ‘bass music’ spectrum?

The genre is immune to any negativity because the up-and-coming producers are giving their all to not become famous but to produce the next original tune. We are improving as a whole and it will only get better

Have you got any advice to upcoming DJs/ Producers looking to get their music heard or signed?

I want to quote someone here:

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

— Ira Glass

Tell us about your mix for MakeItGood x FKOF…

The mix is just good tunes lined up to get you in a mood and have a deep experience. Appreciate the moment and forget about other stuff! Spare 50 mins, trust me, you will only feel better.

Any shoutouts?

Golem, Collision, Kaiju, Ipman, Micheal Pheral, Lurka, Commodo, Diccon, Stiver, Anex, Demon, Jeremy, Perverse, Nanobyte, Camu, Quantum Soul, Flatliners, J Robinson, Joe Nice, Beezy and Amit. They’re all amazingly kind people. Love you all.

3 people (dead or alive) you’d go for a drink with?

Burial, Richard Feynmann, VIVEK.

Favourite horror movie villain?

Oh! Jim FKOFin’ Moriarty from Sherlock Holmes, that’s just scripting/ acting at it best.

Best thing to do in Istanbul?

Go up Galata Tower! 

Now Gantz has gone all out with his contribution to the MakeItGood x FKOF series. Not only is there a stupendously good 55m mix, he’s also thrown in a FKOF free download as well. A proper madness! You can download both below – and be sure to follow Emir on SoundCloud, Twitter and Facebook to keep up to date with his new tunes…

Click to DOWNLOAD

Track list:

Track list:

1. Nanobyte - Lost Time [forthcoming Innamind] 
2. Killawatt & Thelem - Kaba [forthcoming Black Box] 
3. VIVEK - Kismet [Deep Medi] 
4. Kaiju - Centipede Style [dub] 
5. Lurka - Blondez [dub] 
6. Nanobyte - Kalyke [forthcoming Innamind] 
7. Mala - 10 Dread Commandements [DMZ] 
8. Gantz - WIntershine Music [dub] 
9. Gantz - Enso [dub] 
10. Gantz & J Robinson - Misread [dub] 
11. Gantz - Cave Dance [Innamind Recordings] 
12. Gantz & Beezy - First Born [dub] 
13. Kaiju - Double Dragon [dub] 
14. Biome - The Raven [Osiris] 
15. LAS - Rispekta [dub] 
16. Congi - Cult (Gantz remix) [dub] 
17. Autechre - See on See [Warp Records]

Click to DOWNLOAD

Let us know what you think Gantz interview and mix/download via Twitter or Facebook.

Lara 

MakeItGood x FatKidOnFire #117 - Concave

It’s been a while since we had a Belgian artist in the MakeItGoodx FatKidOnFire series; off the top of my head the last one was ARtroniks back in January! We figured it was about time we supported the sounds coming out Belgium, so we recently caught up with Belgian DJ Concave to talk dubstep, labels and everything in between…

Who is Concave?

I’m an 18 year old DJ currently living in Turnhout, Belgium.

What got you into mixing dubstep? How would you describe your mixing style?

I first got into mixing dubstep because one of my mates would spin at the local venue from time to time, this got me stoked to try it out aswell. So I bought myself a pair of decks after trying it out on a midi controller a few times and the rest is history. When I’m mixing I tend to start of with a few ‘lighter’ tunes before I get into the deeper, darker stuff. I also try to let the tunes blend in nicely so you won’t get that ‘cut-off’ effect, and yeah – double drops all day.

How long have you been DJing?

I’ve been DJing for about 3 years now.

Turntables or CDJs for when you play out?

I prefer turntables, but as a lot of venues don’t offer any or the ones they do have are broken I mostly mix using CDJs.

What’s been your best gig and if you could DJ alongside anyone, who would it be?

Best one so far must have been the one in my hometown in April, Catacombs & Knowledge flew in from Manchester and stayed over at my place for two days. And than the show itself was on a boat with a proper soundsystem so the place was vibing hard. If I could DJ alongside anyone it would definitely be Biome, the amount of dubs he has and his mixing style are just out of this world.

Who are your top 5 dubstep producers at the moment; and why? Any labels you’re feeling?

1. Biome - He’s a machine when it comes to building tunes.
2. Kaiju - They really bring a fresh and different sound, their sub work is just amazing.
3. Catacombs & Knowledge - They compliment each other’s productions perfectly.
4. VIVEK - Well ‘Asteroids’ is pretty self-explanatory.
5. Burial - His productions are so different from everyone elses, but still exactly what I need on those cold winter nights. His use of vocal samples is what makes him so special in my opinion.

And definitely feeling MUD right now, they bring out some of the biggest tunes at the moment.

What’s the future of dubstep – where do you see the genre going? Where do you see it fitting in within the wider ‘bass music’ spectrum?

Well from what I can see here in Belgium the deeper sounds are definitely coming up, there are a lot of new producers coming out of nowhere delivering quality sounds (just as many sounding all the same but still). I think the commercial part of dubstep, like we see in the US right now, will have had its highlight soon but the deeper sound will continue to evolve and get its rightful place in ‘bass music history’.

Any forthcoming releases we can look forward to?

Yes. I’d like to use this interview to announce the first release on my label, called Therapy Recordings! The ‘Esoteric EP’ release will consist of two tracks by SYZ and a remix of the title track. The producer remixing Esoteric will be announced soon so keep an eye out for that! You can find clips of both tracks below:

SYZ - Esoteric SYZ - The Outer Rim

Have you got any advice to upcoming DJs/ Producers looking to get their music heard or signed?

Don’t try to rush things. That’s basically it!

Any shoutouts?

Big shoutout to my mate Jan ‘Big-Bong’ Rabbers, with whom I recently formed a DJ duo. Shoutouts to the Catacombs & Knowledge, SYZ, Kaiju, Demon and everyone who has been supporting me/ sending me dubs over the past few years. Also can’t forget to big up the boneyard crew for the late night mixing/ skating sessions!

3 people (dead or alive) you’d go for a beer with (and why)?

1. Burial - Would love to have a chat about music with him.
2. Mala - Same reason.
3. Just anyone who’s up to talk about music.

Best place for picking up vinyl in Belgium?

Don’t really buy my vinyl in Belgium, I go to a small record shop just over the Dutch border called “Sam Sam”, really nice people over there and a wide range of wax available.

Submerge or Close Break?

Close Break, that vocal haunts my dreams.

Although Laurens hasn’t produced anything recently, his mixing skills are next level – and his record bag is a thing of beauty! Two thirds of the Concave mix for MIG x FKOF are seriously impressive dubs, ranging from Kaiju to Vaun to Subreachers and many more… If you’re feeling the mix, hit Concave up on SoundCloud and keep an eye or two out for news on his new label.

Click to DOWNLOAD

Track list:

1. Vaun - Comatose [dub] 
2. Percept - Khalka [dub] 
3. Facta - Zodiak [dub] 
4. Subreachers - The Challenge [dub] 
5. Catacombs - MDK [dub] 
6. Pheral - Residue [MUD] 
7. Biome - Persepolis [MUD] 
8. SYZ - Colonized [dub] 
9. Kaiju - Ice [dub] 
10. Catacombs & Knowledge - Old Town [MUD] 
11. Kryptic Minds - The Talisman [Tectonic Recordings] 
12. Kaiju - Close Break [Osiris Music UK] 
13. Ndread - Reservoir Underdogs [dub] 
14. Thelem - Cathetus [Free] 
15. Percept - Altered State [forthcoming Disquiet Mind] 
16. Standby & Wizeguy - Awol [dub] 
17. Caski - Addicts [dub] 
18. Trashbat - Relic [dub]

Let us know what you think of Concave’s interview and mix via Twitter or Facebook.

Lara

MakeItGood x FatKidOnFire #116 - Pretty Neat Records

It’s not often you find a stupidy worthy cause to champion – and it’s even rarer that we have the opportunity to do so in the MakeItGood x FatKidOnFire series. So when I got chatting to Pretty Neat Records, I knew the following feature was going to be a great one. If you haven’t heard of PNR; read on, listen to their mix and then do everything you can to support what the guys are doing…

Who and what is Pretty Neat Records?

We are a digital label based in both London and Brighton – and we donate 100% of our revenue to Mind, the mental health charity. We’ve got a pretty eclectic taste and try to reflect that in the music we sign. We love everything from ambient electronica, through dub and techno and into drum & bass.

What led to you starting the label? Is it something you’d recommend doing?

The label was set up in memory of a friend. And yes, we would absolutely recommend giving it a shot to anyone who’s considering launching a label; it’s brought us all a great deal of joy and satisfaction. Not to mention the opportunity to hear, release and support some amazing music. I think we’ve also benefited from the fact that we’re non-profit; we don’t have to stress about trying to squeeze money out of the digital music industry, we know we’re just in it for the sheer love of it. I think that’s kept things fresh and positive.

With so many Djs embracing digital, there seems to be a gradual move away from traditional vinyl releases from labels these days. What are your thoughts on this?

Well, as a non-profit label, vinyl releases are completely out of the question for us. We simply don’t have any money to invest in it. That said, vinyl does seem like a format that’s at risk and a lot of people hold it very dear, so I think it deserves support (personally I’m a laptop DJ though, so I might not be the best person to ask haha)!

Any new releases we can look forward to?

Very much so, we’ve got a great summer schedule shaping up; watch out for:

• Torgo’s ‘Cycloid EP’,
• Spekkio’s ‘Reactive EP’,
• Matematica’s ‘Kuzen EP’ and
• Cult’s ‘Texture EP‘…

And there’s a whole lot more where that came from. Also we’ve got our 50th release coming up, so we’ve got a few treats lined up for that!

Who’s currently on your roster?

Wow, too many to list here… We’ve got an artist roster on our website, plus an army of remixers and contributors!

What’s the future of bass music – where do you see the genre going?

Phew! I couldn’t even begin to speculate; the term is such a kind of foggy all-encompassing thing as it is, I expect the range of music being described as ‘bass music’ will only keep getting wider. Personally I’m most excited by the stuff thats happening in the middle ground between club-oriented tracks and ambient, experimental home-listening style stuff. There’s some really interesting sounds forming that involve elements of both, that’s certainly something I’m keeping an eye out for.

Any events lined up that we should get excited about?

OUR 2ND BIRTHDAY PARTY!! Check our website and Facebook page for more details soon!

Any advice to upcoming Producers/ DJs trying to get signed?

Stick with it! Keep doing it for the love, not money. Keep posting it around, you’re bound to find someone like-minded who will give you some support. And keep making music just for the fun of it!

It was great chatting to label MD Simon about PNR – and the mix the guys have done for MIG x FKOF is as good as the interview. It’s only 8 tracks/ 25m but it’s straight PNR releases from artists who have all donated their music to the label (and given up any associated royalties). Not sure about you guys but I’m going to be doing everything I can to support the label in the future! For more information about Pretty Neat Records, their upcoming releases and everything else, follow the guys on Facebook or visit the PNR website.

Click to DOWNLOAD

Track list:

1. Altimeter - Lumen 
2. Organic Matter - The Lone Wolf 
3. Stealth Elf - Muscle Memory 
4. Negative Nancy - Out of Here 
5. Organic Matter - Crying Robot (Psonikadia remix) 
6. Altimeter - Atlantis Dub 
7. Partyson - Her Eyes 
8. About 9 - Snow Day

Let us know what you think of PNR’s mix and interview via Twitter or Facebook.

Lara

MakeItGood x FatKidOnFire #115 - Sparxy

For those of you who visit MakeItGood often, will know that Sparxy is our resident DJ, giving us mixes every 3 months or so. However, FatKidOnFire and I thought it was about time we got him involved in our collaboration series, what with all the success he’s been having these past couple of months! Having had his tunes played a number of times on Skream and Benga’s Radio 1 show, and support from the likes of Distance, Crises and J:Kenzo, it’s pretty obvious he is one to watch! Have a read of his interview, download his mix, and follow him on Twitter, Facebook and Soundcloud. 

Who is Sparxy?

Sparxy is my nickname and has been for some time, since school. I’m 26, from Portsmouth and FKOFing love music of all descriptions in a variety of genres. DJing, production and my label is my contribution to a scene I’m passionate about.

What got you into producing/DJing dubstep?

I was into Drum n Bass from a young age, picking up my first vinyl when I was 15. I used to head down local record shops and pick things out to listen to. Seems like ages ago now! After a while I got a bit bored of DnB and fell out of love with it. There was a period of about 4 years where I didn’t DJ or produce at all, and dubstep is what got me back into it. One of the first dubstep tunes I heard that really caught my attention was Skream’s “Midnight Request Line”. From there I looked further into and it’s just sort of grown really. I was always a DJ first and a (rubbish) producer 2^nd. But over time the two have sort of leveled out and I would say I’m equal parts DJ/producer thesedays.

How long have you producing and Djing?

One of the first vinyls I remember buying was “The Nine” by Bad Company when I was around 15 years old. Taking out the gap in the middle, I’ve probably got 5 or 6 years DJ experience and 3 or 4 years production experience.

What software do you use to produce your tracks?

I’m a big fan of Ableton. Originally I was a Cubase and Reason user, but when I got back into electronic music it was a bit of a fresh start, so I was keen to try something new. Ableton just really works for me, I find it a pleasure to produce on. I also rely heavily on VST plugins, I’m a big fan of the entire FabFilter range for example. In terms of synths I use a few, but my favourite right now is FM8.

Turntables or CDJs?

There seems to be a lot of stigma about this!! As someone who was originally a turntable / vinyl DJ but now use mainly digital, I can see the advantages of both. There is nothing like being able to feel the music, feel the grooves of the vinyl sliding under your fingers. It’s a very “involved” experience, a lot of the digital DJs thesedays don’t get that. The more digital you go, the more you seem to lose from the overall experience of DJing. I spent years buying DnB vinyl, I’ve literally got fucking shitloads. None of it gets played anymore and it sits gathering dust, half of it is at a mate’s house. When I got into dubstep I vowed never to amass such a ridiculous collection of vinyl ever again! So now when I play out I use CDJs and at home I use a Serato timecode setup. Digital files don’t degrade over time and they don’t get lost (assuming you have backed it up) so for me that’s a winner.

What’s been your best gig and if you could DJ alongside anyone, who would it be?

Best gig, well the MakeItGood x FatKidOnFire room at Cable this year was firin’! Definitely up there as one of my best gigs, going triple B2B with Syte and Ben ton was sick and people were feeling the vibes. I played a gig in Ukraine B2B Reamz recently and that was sick as well. My set on GetDarker TV has to be the ‘biggest’ gig I’ve done yet though, and I think it showed as I was quite nervous at the start!

If I could DJ alongside anyone it would have to be Skream. The man’s a legend in my book. He gets a lot of stick about his selection these days, but when he’s on form, he really is on form. As one of the originators you can never doubt him, he doesn’t forget what dubstep really is about. For someone who’s contributed so much to dubstep, he gets free reign to do whatever he pleases and has earned his success in my opinion. And you can tell he’s just having a sick time when he’s DJing and that’s what it’s all about. I would prefer it if he could avoid dropping any Skrillex if I were to play with him though hahaha!

Who are your top 5 dubstep producers at the moment; and why?

The dubstep scene is a fountain of fresh talent right now. There are too many to name. But if I had to pick a few in no particular order…

• Truth - a long standing favourite of mine. They manage to put so much aggression into some of their tunes and keep it classy. Absolutely sick.

• Reamz – pure vibes in his tunes and his attention to detail is insane. When you really listen to a Reamz tune and pick out all the intricacies you realize how good he really is.

• Cauze – another young guy new on the scene. Has a bright future ahead of him if he continues to progress. Some absolutely ridiculous synth sounds he’s been making.

• Genetix – have been on a deeper tip lately and the sub bass weight on the new tunes is SERIOUS. Watch out for their new material.

• Biome – a guy everyone is familiar with by now. Still up there as one of my favourites, absolutely sick sounds and dutty vibes.

What’s the future of dubstep - where do you see the genre going?

I see it evolving and diversifying more and more. I compare it to the blowing up of DnB. Back in the late 90’s DnB really started to get some attention. Over the course the following 10 years or so it grew hugely and really caught the mainstream eye. Dubstep has done the same in less than half the time, it’s absolutely insane really. I think more sub-genres will flourish and as more new talent comes in we’ll see them influencing the scene’s direction. It’s hard to know where we’ll be in 5 years but it’s certainly exciting.

Any forthcoming releases we can look forward to?

My “Mr Robot EP” recently came out on Bacon Dubs, so check that! I’ve also got Battousai / Deadlock coming out digitally on Bokane Audio on 8^th June and have a vinyl release with them later this year too. I’m keen to get more of my stuff on vinyl. I’m also going to be cutting limited runs of Mr Robot EP to vinyl through Bacon Dubs, so keep locked to my Twitter and Facebook for announcements if you want one of those.

Have you got any advice to upcoming Djs/Producers?

Don’t let other people influence your artistic direction (I learned this the hard way). Every tune you make should have a bit of “you” in it. Stay true to yourself and your sound. Make sure you’re doing it for the right reasons. The dubstep scene is one born out of a passion for bass and the feelings the music carries. If you can’t identify with that, maybe this scene isn’t for you.

Any shoutouts?

Gotta give a massive shout to Lara, who was one of the first people to get behind and support me. She certainly inspired me to make more tunes and keep doing what I was doing!

Massive shout to N-Type for the advice and the support. The man’s a don. End of.

Shouts to Skream and Benga for the support, again massively inspiring to receive support from guys like them and it’s stuff like this that keeps me pushing myself and wanting to improve.

Shouts to my friends in the scene: Fish, Nikki Acute, Wil Benton, Fused Forces, Arkwright, the PGR boys, DJ Foster, Chris DBD, Konvex and Richy Beats.

Shouts to all the Bacon Dubs family; Reamz, Hiloxam, Intelligent Delinquent, Skriptah, Deafblind and the DubApes.

Last but not least, shouts to my girlfriend Vicky who supports me all the way and puts up with all the dubstep and bass music even though she doesn’t really like it.

Twitter or Facebook?

I’m a massive fan of Twitter thesedays, it’s instant, it’s now and it’s open. You can get in touch with just about anyone on there. Make sure you’re following me @SparxyUK!

3 people (dead or alive) you’d go to the pub with (and why)?

1. Kurt Cobain. He was a pretty messed up dude with some mad ideas and could put his emotions into music like no one else. It would be nice to have a pint and really get an idea of what made him tick, although I wouldn’t expect him to make much sense lol.

2. Dave Gilmour – guitarist from Pink Floyd. Pink Floyd are one of my favourite bands of all time and Gilmour is just fucking sick on the guitar. The way he used effects to really transform his riffs was very inspiring and way ahead of its time. You can listen to almost any Floyd track and it still sounds fresh today.

3. Denzel Washington. He’s just generally a fucking DON. Nuff said.

Sparxy’s mix is filled with some wicked tracks, but just wait till you hear Battousai VIP in there… OOF! 

Track list:

1. Ollie303 - Escapism 
2. Reamz - Born of a Sin 
3. Fused Forces - Damaged Lung 
4. Dubfreq ft. Raggs - Coercion 
5. Sparxy - Mr Robot VIP 
6. Cauze & Format - Satyr VIP 
7. Reamz - Symbiotic 
8. Truth - All Alone 
9. Genetix - Resistance 
10. Sparxy - Tazer 
11. DubApes - Tribe 
12. Hiloxam - Machine 
13. Sparxy - Deadlock 
14. Sparxy - Battousai VIP 
15. Genetix - Resistance 
16. Konvex & Baitface - 37th Method 
17. Ollie303 - Static Purgatory 
18. Skriptah & Cyntel - The Lab 
19. Tallan - Before You Speak

Let us know what you think of Sparxy’s mix and interview via Twitter or Facebook.

Lara

MakeItGood x FatKidOnFire #114 - Baitface

The MakeItGood x FKOF series is shaping up nicely; we’re already on 114! Mad! Today’s MIG x FKOF feature sees us sit down with Baitface – one of the most exciting young producers we’ve heard in the past few months…

Who is Baitface?

I’m a DJ and producer from Kent, UK.

What got you into mixing and producing dubstep? How would you describe your production style?

I grew up in South London and discovered early forms of it through pirate radio stations and the internet; been hooked ever since. I try not to pin myself down to one style ‘cos I write all sorts but I’ve been listening to loads of deep/ minimal techno lately so that’s filtering its way into my tunes at present.

How long have you producing and DJing?

I’ve been messing around with records and experimenting on Fruity Loops since I was about 14/15 – I’ve just never stopped really.

How do you go about building your tunes? is there a process behind each one? What software do you use?

Blank page; it’s never a set process. I used to make templates and that but it just ends up getting stale if you do sh!t the same way every time! It all depends on what I’m feeling at the time. Software-wise, my main tools would be: Logic Pro, EXS24, Massive, Waves Ultimate and Abbey Road VSTs.

Turntables or CDJs for when you play out?

I tend to play CDs more just because it’s easier for me to play more upfront stuff, either by myself or something another producer has given me. I do cut dubs every so often, but the tunes have to be really special.

What’s been your best gig and if you could DJ alongside anyone, who would it be?

The last gig I played in Kent was probably my favourite. It was the third instalment of a night run by my friends down in Margate called Seeerious. The crowd were having it and those guys always make sure the system is top notch… And I’d love to DJ alongside EZ. So much respect for that guy.

Who are your top 5 dubstep producers at the moment; and why? Any labels you’re feeling?

In no particular order:

• Icicle,
• Proxima,
• Cluekid,
• Commodo,
• Kaiju.

What’s the future of dubstep - where do you see the genre going? Where do you see it fitting in within the ‘bass music’ spectrum?

The term itself “dubstep” has gone and could go anywhere. I can’t really speak for other heads but I know I’ll always be making music that I like (in the hope that others will too) – regardless of what label it’s given or where it fits in.

Any forthcoming releases we can look forward to?

‘Focus Mode/ We Are’ should hopefully be out on Soulstep by the end of July. Digital formats, all the usual outlets. I also have forthcoming material on Dubstrict.

Have you got any advice to upcoming DJs/ Producers looking to get their music heard or signed?

Make sure your tunes are as good as they can be creatively, worry about mix-downs later. A not-so-well engineered banger is always better than a perfectly polished turd in my opinion.

Tell us about your mix for MakeItGood x FKOF.

It’s just a collection of releases/dubs I’m feeling at the moment. Wanted to include the style I’m known for but also switch it up with other styles to keep things interesting.

Any shoutouts?

Out to Jamie and Kieran Seeerious, all my like-minded musical peers: J-One, Lex, Bevan, Wen, Arktrix and Konvex. Big up Chris at Soulstep and Charlie at Dubstrict!

3 people (dead or alive) you’d have a drink with (and why)?

El-B (originator), Mila Kunis (should be obvious…) and Tulisa (to find out whether that video is an accurate representation of her “skills” or whether purple just isn’t her colour).

Tearout or minimal sounds?

Minimal. Tearout in moderation.

Memories of 3rd Base or Goat Stare?

Memories of staring at Goats after reaching 3rd Base…?!

Alex’s mix for MakeItGood x FatKidOnFire has been doing the rounds online since we uploaded it a few weeks back (apologies for the delay in getting it on the site man!) – hit that play button and you’ll find out why. If you want to find out more about Baitface and his music, follow him on Facebook, Twitter and SoundCloud.

Click to DOWNLOAD

Track list:

1. Baitface - Focus Mode 
2. Lurka - Forgotten Ones 
3. Cluekid - Minimals 
4. Kaiju - Belcanto 
5. Epoch - Katon (Wen remix) 
6. Proxima - Grunge 
7. Icicle - Acid Step 
8. Biome - Persepolis 
9. Commodo - So Clear 
10. Joker - I Think You Should Know 
11. Sleeper & District - Transitions 
12. Konvex & Baitface - 37th Method 
13. Wen - Spark It 
14. ??? - Wooo / Gash Blend 
15. Thelem - Cathetus 
16. Perverse - The Iceman 
17. Pearson Sound - Untitled 
18. Wen - You Know 
19. J-One - Untitled 
20. J-One & Baitface - Multicoloured Blues

Let us know what you think of Baitface’s interview and mix via Twitter or Facebook.

Lara

MakeItGood x FatKidOnFire #113 - The Illuminated

The latest feature in the MakeItGood x FKOF series has an in-depth (and pretty awesome) interview, mix and free (four track!) EP. We kind of like to spoil you guys occasionally! The artist – or artists in this case – doing the honours are a dubstep DJ/ producer collective from Holland; The Illuminated. The three guys have been stirring up a storm recently with their take on the dubstep sound, you’ll know why once you’ve read their interview. When they offered up the audio goodies, we sat down and got chatting. Put the kettle on and get some good music going in the background, this is a long one…

[Joep and Yuri]

Who are The Illuminated?

Yuri (Dyzz), Joep (Rebus) and Maarten (Vence).

How did you guys all meet? What got you into mixing and producing dubstep?

At first Joep and Maarten got connected at local hip-hop parties in Eindhoven around 2006; both producing and performing as hip-hop artists. They started producing UK breakbeat and electro (and fidget) later that year. Around 2008 Joep and Maarten discovered the dubstep sounds from the UK and Holland and focused their productions more and more on the 140bpm trip. Around 2009 Joep and Yuri got to meet in person at a gig called “Dubstep a Go-Go” in Utrecht. They already knew one another from the dubstep.nl forum community. Within a month Joep introduced Yuri to Maarten and that is basicly when we started The Illuminated collective. We were driven by enthusiasm to start something new; combining DJs, producers and more. Maarten and Joep mainly on production and Yuri as DJ. Joep started FKOFing around with tracks and DJing around 2008 with a midi-controller and his MacBook. Yuri had been into dubstep since 2005/2006 (and a lot of IDM earlier in the 2000’s) and had bought his first dubstep vinyl in London after the DMZ 3^rd Birthday party in 2008.

How would you describe your production style?

Our sound is probably best described as our interpretation of the more deeper side of dubstep. We feel quite a strong connection to the techy and industrial style of fellow Eindhovians Icicle, Proxima, Martyn, Nymfo and Piro. Most of the times we’re at 140bpm but every now and then we like to make some drum&bass.

How do you go about building your tunes? is there a process behind each one? What software do you use?

Nothing special really. Somewhat cheesy maybe but we usually chill around and start with some drums. “Go with the flow” is a basic description of our progress. We use Ableton and its stock plugins along with some free stuff. Hardware-wise we have a midi-keyboard, 2 rockit KRK 6’s and a sub (which is currently not connected because of the neighbours at Maarten’s place haha)!

How long have you been producing and DJing together?

Maarten in 2000, Joep started in 2004 and Yuri learned all his tricks from both of them when we started producing together in 2009.

How did MaasBASS come about?

Yuri and Joep were residents at the illegal house parties in Maastricht in the Mandril Mansion under their alias “Bokito Soundsystem”. Aarjan was looking for a partner to start something new (and legal) in Maastricht and found Yuri as his significant other. We (Yuri and Aarjen) started the 1^st one in “het Landbouwbelang” – which was basically a squatted building with a license to do stuff ‘till 3am. The party started at 9pm and was sold-out (500 heads) at 9.30pm with a queue outside of 200 heads waiting to get in. After that Aarjan found the Muziekgieterij and the Muziekgieterij found us to start a monthly bass driven party (which is how MaasBASS got its name). For now things are a bit quiet but I promise we will be back in September for more education.

Turntables or CDJs for when you play out?

Yuri has been properly educated and knows his way around a couple of 1200s. Joep however only uses CDJs, he says his hands shake too much so he’s always scared around needles!

What’s been your best gig (as DJs) and if you could DJ alongside anyone, who would it be?

Technically it was at Dump! (Utrecht). The whole set was on point and the soundsystem is our personal favorite of all clubs in Holland. However, it was amazing to be playing at the Pact Festival 2011 (Eindhoven) on Queensday. The combination of being in your hometown at a techno festival but still having more than 200 people (including some of your best friends) skanking out to your dubstep/ drum&bass sounds is just golden. Also the weather was spot on. Alongside Yunx and RSD would be our personal wet dream.

Who are your top 5 dubstep producers at the moment; and why? Any labels you’re feeling?

We would like to split it to 2: top 3 all-time producers and top 5 dubstep producers at the moment. Yuri Top 3 all time:

1. Noisia
2. Radiohead
3. Chemical Brothers

Top 5 dubstep producers at the moment:

1. Kaiju
2. Subreachers
3. Clubroot
4. Headhunter
5. TMSV (just because he has this awesome hair-do)

Joep Top 3 all time:

1. Noisia
2. Arts the Beatdoctor
3. Jah Shaka

Top 5 dubstep producers at the moment:

1. Kaiju
2. Icicle
3. TMSV (bromance baby)
4. Razor Rekta
5. Killawatt & Ipman (they come as a package right? Haha!)

Maarten Top 3 all time:

1. Noisia
2. Nobody Beats The Drum
3. Martyn

Top 5 dubstep producers at the moment:

1. Sleeper & District
2. Kryptic Minds
3. Thelem
4. Benton
5. TMSV

Labels: Osiris, Black Box, Box Clever, MUD/ MUV, Artikal, Medi, Shogun, Critical, Diffrent, Dispatch, Tempa, Renegade Hardware, Subway, Origin Audio, Orientis, Mindstep, Tribe12, Chestplate, Tectonic, Ranking.

What’s the future of dubstep – where do you see the genre going? Where do you see it fitting in within the ‘bass music’ spectrum?

The genre has now probably developed far enough to clearly see different styles within it. When we think something sounds like ‘dungeon’ we just call it dungeon you know, it’s just so much simpler to see the things as they are and start calling things by their name. Still, we know about the history and always try to keep in touch with ‘the soul’ of dubstep; whatever direction we take. As for ‘commercial dubstep’, basically we don’t really give a sh!t. We’re just doing what we like.

Any forthcoming releases we can look forward to?

For now we’ve just got our first exposure out in the open with you giving away the FKOF EP [available below as a free download]. Some remixes are on their way from us as well as from other producers remixing some of our tracks. Labels have contacted us but there’s nothing serious yet. We’ll see how things are developing later this year.

Have you got any advice to upcoming DJs/ Producers looking to get their music heard or signed?

No, we don’t haha. Feel free to email us with advice though!

Any shoutouts?

• The Holland crew friends and fam!
• Paul.piro bass pioneer Eindhoven
• tobias.inofaith for his extreme obsession with music production
• tomas.tomassive.tmsvauwww for just being awesome (no really, he’s awesome)
• thomas.halp for sleeping while Joep and Yuri were playing 180bpm full volume dnb
• Rik.myrkur his hugs
• Joep.addergebroed for being our little brother <3
• Micha.Pinda for being our big brother <3
• Roel.rule for having a well-educated taste in bass music
• Kaj.Iven for capturing almost every facial expression we can show
• Paulus.plus for educating
• Ewout.ew00t for being the front-line captain
• Derek.Chrome keepin’ it real
• niels.erwtenpeller for being Brillex
• Joram for capturing everything Kaj couldn’t capture
• Tim.Karma (blessssss up bredren)
• Tim.Tmus mashup master and carrot boss
• Geoff.Nicon for getting us TO DA CHOPPAH (GET DOWN GET DOWN)
• Tommy.Chillum cheeky gingerbwoi always fun having around
• Go.Goodje for being mother goose
• Cees.Case for blowing (so many puns intended). Perfect housewarming party planner
• Gijs.Proxima - dirty man
• June.Miller for getting their grooves on with piet. Ajeto!
• Aarjen.l’argent for our english pronounciation being truly a brother from another mother, fam-a-lam!
• Akespeare and PakOne for being the perfect hosts at every venue cq party. MaasBASS Family!
• Alex.Waivee Banana’s robbing them payama’s and all <3
• Judith.Ditl for the cupcakes (and being a top-notch girlfriend for Yuri <3)
• Ekim for getting down on our sounds. Scream baby! (and joeps significant other)
• Simone.Tenda for getting us introduced to all the maastrichtians
• Rob for knowing basicly everything and supplying subs at random parties and cars.
• Sjoerd.Scutch cruising 323F style
• Ed.Yuri’s dad for buying the Wormhole album by Ed Rush & optical

Scene supporters: Kaiju, Razor Rekta, Walsh, Dub Mechz, Perverse, Ash, Antics, Subreachers, Subculture Artists (Bless Verity J), Vandera and of course all the FKOF & MIG crew for supporting us in so many ways [big love guys]! Oh and Skream. Thanks for cleaning the stove hehe!

3 people (dead or alive) you’d book for an event (and why)?

1. Joep – David Rodigan, simply because he is the best at what he does
2. Maarten – Osdorp Posse, for hearing their ruff beats and pumped up performance one more time
3. Yuri – David Bowie, for seeing live what gave me music education.

Favourite Dutch dubstep producer?

Isn’t that abvious by now?!

Skrillex or David Guetta?

Potato.

[Maarten]

So. This mix? It’s 70 minutes and 35 tracks’ worth dubstep and drum&bass beauties. It’s definitely one of my recent favourites and definitely one worth downloading/ burning/ sharing/ listening to at loud volumes (preferably one or all of those options). It’s awesome!

Click to DOWNLOAD

Track list:

1. Quark - Patagonia [Ranking] 
2. Lojik - Panic Room [For The Win] 
3. The Illuminated - Limp [forthcoming Access FM – Free Compilation EP] 
4. Mala - Blue Notez [DMZ] 
5. Dub Mechanics - Talking To The Gods [dub] 
6. Subreachers - Shockwave [dub] 
7. V.I.V.E.K - The Big Bang [Deep Medi] 
8. District & Sleeper - Terraformed [Chestplate] 
9. The Illuminated - Scavenger [dub] 
10. The Illuminated - Scavenger (TMSV remix) [Exclusive dub] 
11. Objekt - The Goose That Got Away [Objekt] 
12. The Bug - Skeng (Kode9 remix) [Hyperdub] 
13. Data - Knives From Heaven [Black Box] 
14. TRG - Everything We Stand For [Cool And Deadly] 
15. Biome - Moody [Macabre Unit Digital] 
16. TMSV - Future History [dub] 
17. Jack Sparrow - The Chase VIP [Tectonic] 
18. Cymatic - Glue [Box Clever] 
19. Kaiju - Double Dragon [dub] 
20. Perverse - The Iceman [Artikal] 
21. Dub Phizix & Skeptical ft Strategy - Marka [Exit] 
22. June Miller - Snapcase [Critical] 
23. Octane & DLR - Ordnance [free] 
24. Icicle & Commix - Ultra Clean [Shogun Audio] 
25. Optiv & BTK - Whatever [Dutty Audio] 
26. Amoss - Flex [Renegade Hardware] 
27. Icicle - Dreadnaught [Shogun Audio] 
28. Dabs - Subsidiary [Dispatch] 
29. Freaks Of Nature (Sparx & Tunnidge) - Dave’s Wives [Zombie] 
30. Ed Rush & Optical - Wormhole [Virus] 
31. Xtrah - Eradicate [Subtitles UK] 
32. Foreign Concept - Mob Justice (Enei remix) [Critical] 
33. Jekyll - Drainpipe [Diffrent] 
34. Hybris - The Blinds [Dispatch Ltd.] 
35. The Roots ft Black Thought, Common, Dice Raw, Flo Brown, Mos Def, Jazzyfatnastees - Hurricane (The Illuminated remix) [Exclusive dub]

Oh, and that EP I talked about earlier? That’s as good (if not better) than The Illuminated’s mix for MakeItGood x FKOF. 2 stellar originals from the Dutch dubstep collective, 1 wicked remix and 1 truly amazing Icicle x Mavado x TMSV mashup…

Let us know what you think of The Illuminated’s interview, mix and free EP via Twitter or Facebook.

Lara